Kalah Omran

Title: Chastity Unveiled: Performing Virtue in The Tragedy of Mariam

Abstract: This presentation examines the use of the term “chaste” and its synonyms in Elizabeth Cary’s play The Tragedy of Mariam. This term functions more than a moral label but as a means of symbolizing how women were judged, defined and confined during Cary’s time. By questioning the use of this term throughout the play this presentation examines the restrictive expectations placed on women, and the ways they are challenged and redefined. Through examination of key passages, characterization, and relevant scholarly criticism this project reflects on how chastity shifts from a fixed societal ideal into a means of rebellion and critique of patriarchal control.

The research conducted finds that Cary’s female characters each redefine chastity in distinct ways. Mariam rejects chastity as a mere performance for women, grounding it in internal virtue and moral integrity. Salome, reclaims chastity as defiance, in using assertion and control to recoup freedom. Mariam and Salome redefine and use chastity as a means of rebellion. Doris and the chorus are used as a reflection of societal expectations in contrast to these main characters. Overall this project highlights the significance of Cary’s work in gender and literary studies. Examining the language and character development allows for more insight into women’s lives during that time and conversations that are ongoing today about gender and autonomy.